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- 1.1 Introduction
- 1.2 Paris
- 1.3 Notre Dame de Paris and the Wave of Cathedral Building
- 1.4 What We'll Study
- 2.1 The Old Church
- 2.2 Royalty Reposed
- 2.3 The Fair of Lendit
- 3.1 Suger, the Producer
- 3.2 Reasons, Spiritual and Worldly
- 4.1 The Central Portal, Saint-Denis
- 4.2 The North and South Portals, Saint-Denis
- 5.1 God is Light
- 5.2 Saint-Denis, a Storehouse of Treasure
- 5.3 The Uplifting Church
- 5.4 The Anagogical and Moses Windows
- 6.1 Romanesque
- 6.2 Gothic Origins
- 6.3 Gothic
- 7.1 Architectural Innovations
- 8.1 The Role and Initial Construction of Notre Dame
- 8.2 Renovations
- 9.1 Influences and Innovations
- 9.2 St. Anne’s Portal
- 9.3 Coronation Portal
- 10.1 Central Portal: The Last Judgment
- 10.2 Notre Dame’s Roses
- 11.1 St. Stephen’s Portal
- 11.2 Theophilus and the Virgin
- 11.3 Truth Set in Stone
- 12.1 From Mars to Minerva
- 12.2 Introducing Faith into Reason
- 12.3 The Story of Abelard’s Misfortunes
- 14.1 “The Crucified Priest”
- 14.2 “The Peekaboo Priest”
- 15.1 Dizzying Heights
- 15.2 The History of Chartres
- 15.3 The Holy Tunic
- 16.1 Merchant Donors
- 16.2 The West Façade
- 16.3 The North and South Transepts
- 17.1 Chartres’ Lancets
- 17.2 Chartres’ Roses
- 18.1 The Zodiac Window
- 18.2 Charlemagne in Glass
- 19.1 Lords and Vassals
- 19.2 Plunder
- 19.3 Roland’s Reliquary Sword
- 19.4 Vengeance or Treason?
- 20.1 Church and State
- 20.2 Amassing of Relics
- 20.3 A New Holy Land
- 21.1 A Radiating Chapel
- 21.2 Total Work of Art
- 22.1 The House of Glass
- 22.2 Apse
- 22.3 North Program
- 22.4 South Program
- 23.1 Building a Case for Canonization
- 23.2 Confessor or Martyr?
- 23.3 Louis’ Virtues
- 24.1 Louis the Crusader
- 24.2 The Almost Martyr
- 24.3 The King Becomes a Relic
- 25.1 Cathedrals from the Middle Ages to the Present