Welcome to Exploring Beethoven's Piano Sonatas Part 5! You’re joining thousands of learners currently enrolled in the course. I'm excited to have you in the class and look forward to your contributions to the learning community.
Exploring Beethoven's Piano Sonatas Part 5
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Exploring Beethoven's Piano Sonatas Part 5
カーティス音楽学校（Curtis Institute of Music）
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中級レベル
約13時間で修了
推奨：5 hours/week
英語
字幕：英語
シラバス - 本コースの学習内容
1時間で修了
Welcome to Class
WELCOME TO CLASS! We are thrilled that you have joined us for Part 5 of Exploring Beethoven's Piano Sonatas course, taught by Jonathan Biss, Chair of Piano Studies at the Curtis Institute of Music. Jonathan is recognized as a world-renown concert artist and musical thinker. This course is Part 5 of the existing series called Exploring Beethoven’s Piano Sonatas. As with all sections of this course, Part 5 contains new and separate sets of lectures. Specifically, we will dive into Beethoven's Piano Sonata Op. 27, No. 1; Sonata Op. 31, No. 1; Hammerklavier, Op. 106, to which there are two dedicated lectures for this monumental work. It is important to remind you that it is not necessary to have taken the previous Exploring Beethoven's Piano Sonatas courses, in order to enroll in this one. We think you will be perfectly comfortable to start learning with Part 5 if you wish and continue backwards. Between these courses, there exists a large amount of additional resources and learning that might be helpful as you embark on Part 5. And of course, we strongly encourage you to take Parts 1, 2, 3 and 4, if you have not yet. In the meantime, have a terrific time taking this class and Part 5 of Exploring Beethoven’s Piano Sonatas.
1時間で修了
3 readings
3件の学習用教材
Welcome to Part 5 of Exploring Beethoven's Piano Sonatas!10 分
Syllabus10 分
Getting to Know You10 分
1時間で修了
Op. 27, No. 1
1時間で修了
9件のビデオ （合計59分）
9件のビデオ
Bridging the Gap Between Fantasy and Sonata6 分
1st Movement: Unusual Form; Unusual Harmonic Stability7 分
1st Movement: A Joyous Disturbance of the Peace8 分
2nd Movement: A Scherzo of Extreme Economy and Drama6 分
2nd and 3rd Movements: A Magical “attacca” Transition5 分
3rd Movement: Less a Movement than a Setting of the Stage4 分
4th Movement: The Rondo the Sonata Has Been Heading Towards11 分
4th Movement: Further Blurring the Lines Between the Movements6 分
1の練習問題
Final Quiz – Op. 27, No. 1 Quiz30 分
2時間で修了
Op. 31, No. 1
2時間で修了
11件のビデオ （合計73分）
11件のビデオ
1st Movement: Playing Poor Coordination for Laughs5 分
1st Movement: A Radical Move to the Mediant6 分
1st Movement: Obsessing Over his own Joke…5 分
1st Movement: …And Milking it for All It’s Worth5 分
2nd Movement: An Affectionate Wink at Italian Opera3 分
2nd Movement: Embellishment as Parody8 分
2nd Movement: From Parody to Profundity12 分
3rd Movement: Rondo as Riddle6 分
3rd Movement: Inspiring Schubert6 分
3rd Movement: A Coda filled with Surprise8 分
1の練習問題
Final Quiz – Op. 31, No. 1 Quiz30 分
2時間で修了
Op. 106: Hammerklavier (Part 1)
2時間で修了
11件のビデオ （合計60分）
11件のビデオ
Putting the “Hammer” in “Hammerklavier”2 分
A Massive Work Unified by Two Motivic Fixations5 分
1st Movement: An Exposition that Establishes the Work’s Scope and its Principal Concerns10 分
1st Movement: A Fugal Development and a Return that Breaks Every Rule7 分
1st Movement: The Work’s B/B flat Conflict, Front and Center5 分
1st Movement: A Titanic Coda for a Titanic Movement5 分
2nd Movement: A Compact, At Times Riotous Scherzo2 分
2nd Movement: The Thirds Fixation, at its Most Concise4 分
2nd Movement: A Trio that Moves from Mysterious to Maniacal…7 分
2nd Movement: …and a Coda that is Yet More Maniacal4 分
1の練習問題
Final Quiz – Op. 106 Part 1 Quiz30 分
レビュー
4.9
EXPLORING BEETHOVEN'S PIANO SONATAS PART 5 からの人気レビュー
JSによりDec 26, 2019
Wow! stretched to 5 courses! It's amazing to watch this instructor. He's super knowledgeable and very likeable. And Beethoven's music is great.
VSによりFeb 14, 2020
This is an excellent course and Jonathan Biss is a superb instructor!
カーティス音楽学校（Curtis Institute of Music）について
The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. One of the most selective schools in the United States, Curtis accepts four percent of applicants each year on average. A tuition-free policy ensures that talent and artistic promise are the only considerations for admission. With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by personalized attention from a celebrated faculty and a “learn by doing” philosophy. Curtis students hone their craft through more than 200 orchestra, opera, and solo and chamber music offerings each year in Philadelphia and around the world.
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