Very good and enjoyable mix of practice and theory - from basics to more advanced with good explanations throughout. I just wish I was a better piano player to be able to take full advantage of it!
Such a great course! Even though I am a bass player this course has made me understand patterns and ways in which the Blues can be taken to. Thank you very much for such an amazing experience.
by CARLOS C•
by Steve R•
At first I though it was a very poor course but certain parts of it were gold for me and I got a lot out of it. I particularly appreciated the advice on how to improvise through out the course. I was less keen on the parts on modes and pentatonics but on the other hand for someone further along in their musical journey it may be just the thing. Although the course is ostensibly on the blues it also covers a lot of material relevant to Jazz.
Pedagogically there were some problems.I think the course has way too much material and could be split into 2 parts each part maybe a bit slower.The presenter need to sharpen up his game a little as regards presentation skills, reading material of an IPad is not very inspiring. His English is not very idiomatic but that's not really a big problem. Written sheets with the changes and summarizing the lectures would have made the course better. Finally there are no peer reviews and all quizzes are theoretical - rather disappointing. I prefer a hands on approach with peer based reviews as in Gary Burton's course also on Coursera.
by Marc S•
This course was not at all what I expected; I'm not sure if I misread the syllabus or just misunderstood its contents. First, I was expecting the course to center around the blues, a la Robert Johnson, Muddy Waters, John Le Hooker, B.B King, etc. It turned out to be a lot less blues and a LOT more jazz with the likes of John Coltrane, Miles David, Joe Henderson, etc! Second, I was expecting more history with little to no theory. As it turns out, this course was highly theoretical and performance heavy. All in all though, it was a great course but certainly not for a beginner musician.
by Barbara S•
I had trouble at first following the written transcripts of the various lessons as they had many word mistakes. The organization of the class material, demos and play-along videos was excellent. It would, however, be very useful to be able to easily print out the various music examples - I copied them off by hand and that was a pain. Overall, I learned a lot and am happy I took the course.
by Lorenzo A•
This course is great and I found it very complementary to the Berklee Improv course. This is more advanced and it dives deeper. But it is less "hands on". My only remark is that people would benefit more from it if it had some practical homework beyond quizzes and if the material was made available in a nice format.
by Arthur G•
My reason for only giving four stars is because I could not find the materials associated with the lessons. I created my own notes for the course which for me is very helpful. I also wish that the correct answers would be provided for the ones that I got wrong even though I passed the quiz.
by Henriet P•
Very very interesting. I like the it is explained. Great
Week 7 is to difficult for me now. I need to practice to go further with the material
It could have peer review of exercises! it could help us to verify to understand well
by GARDELLI V•
It's a lot of years since I started playing piano jazz, nevertheless I got different interesting points to reflect into and several exercises to practice, expecially with pentatonics and scalar patterns. Very enjoyable!
by José M•
Great overall planification and sequence of matters. Some errors in written materials. Some ambiguous questions on quiz. Great music examples played by collaborators. Very poor written transcriptions of spoken text.
by Loïc C•
The prof explains the concepts very clearly and provides helpful resources
The quiz/assignments could be more challenging to better put into practice the learned material.
by Esther A•
Seems comprehensive, with many great techniques for understanding jazz and practicing improvisation. Besides quizzes though, there are no assignments.
by Anthony R•
Well presented Theoretical Practical Jazz Improvisational Foundational Building Blocks. Great Information. Thanks Professor D.T.
by Roberto G C•
Muy buen curso, excelente para músicos e intérpretes. Recomendable en todos sus aspectos y sumamente claro en su comunicación.
by José M A•
Explica de forma clara, desde su forma más simple hasta la más compleja, qué es un Blues y cómo se estructura. Enhorabuena.
by Joy S•
Related to jazz, which I enjoy. However, this teaches you to perform the music. Prefer music appreciation classes.
by Pedro L A D•
Maybe a little bit complex for people who are not very specialised in music...
by Steve R•
It seemed to be more jazz than blues, but it was entertaining and educational.
by Oscar R•
learn about blues and Jazz history from a harmonic perspective!
by Janet P•
Deducted one star due to lack of women represented.
by Luuk S•
by Claude J•
This training deals with jazz, not with simple blues, which was my first interest. I found it very challenging, starting with flat 7 chords (why not a simple E7 blues progression ?), and introducing from lesson one the II-V progression, which is to me an advanced topic. I gave up after lesson 3 because I am not comfortable listening many chromatic harmonies that I typically associate with the jazz.
by Kenneth B•
Some of the course content came across unsure. This is a good course that needs to be tweaked. There were cases when information was unclear and undecided.
by Jean R•
This course is not for me.
Principal concepts seem very difficult from the first lesson.
Professor hesitates, quiz is incomprehensible.
So, Good Bye ! I do like blues and listen it very often, but this doesn't help me.
by Isaac R•
Mucha Teoria en una semana, poca pratica.