>> In this video, we're going to talk about the rhythm of your melody or your melodic rhythm. Oftentimes, we don't really give a lot of thought to the rhythm that we're singing, we're focused on the melody, we're focused on the concept, the lyrics, the chords, and don't really give a lot of consideration to a rhythm. But the rhythm of your melody is really important especially as a contrasting tool for songwriters. If you're writing a verse that's really rhythmic, you really want your chorus to shine, so you could write something really rhythmic in your verse with a lot of notes, then think for contrast, I'm going to open that up, I'm going to sing longer notes for my chorus. If you had a song that had a lot of rhythm in your verse, for example, "every time you call me up, every time you call me up, every time you call me, every time you call me" as a song writer, you could start with Gesture Lyrics in your rhythm just to feel like yes, I'm really going to focus on how good this rhythm feels. Every time you call me up, every time you call me up, every time you call me, every time you call me. You might notice that the conditional ladder, that's all full, there's a lot of rhythm happening, there's not a lot of space, and I haven't used any long notes. Then maybe your chorus start with a rhythm that is contrasting to that. I start to fall, and I'm yours again, and I'm yours again, I start to fall, feel all that space, and you feel that first long note. Also, I'd be pretty mindful of the fact that I'm about to say, I fall so I want that rhythm and that melody that I'm going to write to feel also like I do as a songwriter like I'm falling. Also, the opposite would be true, if I had a verse that had really long notes like, I fall, I fall, I fall, I fall, I would want my chorus then to have a contrasting rhythms, so it's [NOISE]. When you isolate the rhythm as a songwriter, it could be so fun to just play with those rhythms until they feel really good to you as a writer and then you can start to put your melody on top of that. But let's go ahead and put a melody to this, and just notice the contrast, and also how it really fits the lyric being told. [MUSIC] Every time you call me up, every time you call me up, every time you call, every time you call, every time you call me up, every time you call me up, every time you call, every time you call, I start to fall and I'm yours again, I'm yours again, [MUSIC] I start to fall and I'm yours again, I'm yours again, every time you call me up. After you have that contrast, you're ready for that rhythm again. If it's all rhythmic in all of the sections, the listener gets a little bored of the rhythm so it's really nice to have the contrast between the sections to really let your chorus shine.